- Count View : 41
- Doi: 10.22034/bahareadab.2023 .16 .7048
Journal of the stylistic of Persian poem and prose
volume Number 16،
number In Volume 7،
،
issue Number 89
Avoiding protest-critical literature and politics in Indian style
Ali Asmand Joonghani (Author in Charge), Fatemeh Zahra Ishaqi , Mohammad Reza Masoumi
Abstract
BACKGROUND AND OBJECTIVES:
Indian
style poetry is an example of poetry in Persian literature that spanned from
the 9th century to the 13th century. This style is considered the most non-political period of
poetry in Iranian literature for the reasons that we will discuss in this
essay. In this research, an attempt has been made to find out the causes of
evasion of critical and political literature in Indian style.
METHODOLOGY: This
article is a theoretical study with a library research tool and a descriptive
analytical method, which has analyzed the critical and protest content of
Indian style poetry.
FINDINGS: The most important factors that
have led to the avoidance of protests in this period are the homogenization of
the institution of power and politics, the authority of the Safavid government,
religion and its related strictures and fear of the rulers, traveling to India,
finding a way and the influence of the Persian language in India. The type of
literary form and its change from ode to sonnet, the fields of Sufi thinking
and isolationism, the writing of poetry by some non-Iranians, and dozens of
other big and small factors, including the lack of motivation to express
protest, can be mentioned.
CONCLUSION: From the collection of these
factors, we found that the literature of this period was far from protest and
critical thoughts, and poets did not pay attention to political issues for the
reasons mentioned, as a result, Indian style literature was different from
other literary periods in terms of political approach.
Keyword
Indian style
, politics
, critical and protest poetry
, Safavid period
, poets
- Allami, Abulfazl. (1877). Ayeen Akbari. Calcutta.
- Asmand Junqani, Ali. (2021). “Contrasting protest literature with mystical literature”. Scientific Review of Mystical and Mythological Literature, 17 (64). pp. 13 – 40.
- Bahmani, Amir Hossein & others. (2016). “Examining the hypertext in the Indian style ghazal”. Ghanayi literature research paper of University of Sistan and Baluchistan. 15 (28) pp. 77-96.
- Bidel Dehlavi, Mirza Abdul Qadir. (1992). Divan Bidel Dehlavi. Corrected by Hossein Ahi. Tehran: Foroughi.
- Brown, Edward Granville. (1996). History of Iranian literature. Volume 4. Translation by Bahram Meqdadi. Tehran. Morvarid.
- Daryaghasht, Mohammad Rasool. (2013). Sa’eb and Indian style in the field of literary research. Tehran: Publisher Mahmoud Afshar.
- Dezfulyan Rad, Kazem. Alimaddi, Mona and Talebi, Masoumeh. (2010). “A sociological look at the evasive coherence of the Indian-style ghazal”. Persian Language and Literature Research Quarterly, Bushehr Islamic Azad University. 2 (3). pp. 55-78.
- Fakhr al-Zamani Qazvini, Mulla Abdul Nabi. (2011). Tazkere Meykhaneh. According to Ahmad Golchin Ma’ani. Tehran: Iqbal.
- Fotuhi Rood Majani, Mahmoud. (2006). Literary criticism in Indian style. Tehran: Sokhan.
- Fotuhi Rood Majani, Mahmoud. (2016). A look at the Indian style (first part) of the great Islamic encyclopedia. Information newspaper. pp. 1-29.
- Fotuhi Rood Majani, Mahmoud. (2017). Criticism of literary criticism in Indian style. Tehran: Rozgar.
- Golchin Ma’ani, Ahmad. (1980). Tazkare Meykhane. volume 1. Mashhad: Ferdosi university.
- Hosseini Fasai, Haj Mirza Hassan. (2001). Farsnamah Naseri. Corrected by Mansour Rastgar Fasai. Tehran: Amirkabir.
- Kalim Kashani, Abu Taleb. (1983). Divan of Kalim Kashani's poems. Introduction by Mehdi Afshar, Tehran: Zarrin.
- Mohaghegh, Mehdi and Larijani, Arezoo. (2011). “Investigating the influence of the Mongol and Timurid governments on the spread of mystical ideas”. Persian language and literature research journal. pp. 159-176.
- Nasiri Dehghan, Mehdi. (2017). Poetry stylistics. Qeshm: Amir Sadra.
- Nasrabadi, Mirza Mohammad Taher. (1982). Nasrabadi Tazkere. Third edition. Correction of Hasan Vahid Dastgardi. Tehran: Foroughi bookstore.
- Pushtdar, Ali Mohammad. (2006). “The perspective of freedom and politeness of protest in Persian poetry”. Specialized Journal of Literary Sciences, 3 (5), pp. 28-293.
- Sa’eb Tabrizi. (1992). Divan Sa’eb Tabrizi. By the efforts of Mohammad Qahreman. Tehran: Elmi and Farhangi.
- Safa, Zabihullah. (1987). History of literature in Iran. Volume 5. First part. Third edition. Tehran: Ferdows.
- Sajjadi Rad, Sediqe and Zakari, Ahmad. (2018). “Objection in Maulana's Masnavi”. Dehkhoda Quarterly. 11 (42). pp. 105-132.
- Shams Langroudi, Mohammad. (1990) Hurricane of Madness (Indian style and poetry of Kalim Kashani). Tehran: Negah.
- Shiri, Qahreman. (2008) “Indian style is a manifestation of negative resistance”. Persian Language and Literature Quarterly, No. 41, pp. 66-82.
- Soltani Faregi, Morteza. (2009). “Study of protest poetry in contemporary Persian literature from 1953 to 1979”. Master's thesis, Sabzevar University.
- Taleb Amoli. (ND). Divan Taleb Amoli. Corrected by Shahab Taheri. Tehran: Sanaei Library.
- Tamimdari, Ahmad. (1993). Mysticism and literature in the Safavid era. volume 1. Tehran: Hekmat.
- Turkaman, Iskander Beyg. (1985). Abbasi Alamara. volume 1. Tehran: Toloo’ and Hekmat.